Category Archives: Uncategorized

Water Colors


After developing images of the fish pictured in earlier posts, and assembling them into wall vignettes, I have photographed a number of them for compilation into a stop-motion video.

This piece combines collage and watercolor to integrate the elements of land, ocean, sky and marine wildlife in a colorful yet poignant moment.

I plan to make these smaller pieces part of the stop-motion video process as well.

DATA FISH (Gone Fission #20622)


[multimedia / cut paper assemblage] Daniel Stuelpnagel 2013

This funky little guy doesn’t mind being radioactive, in fact the techno-fish is sort of like the cyberbot of the future, thriving in the marine environment created by global industry.

When the fish pictures with sharp details, high contrast and color saturation and interesting composition are put together in a vignette, they create an understated yet highly-charged dramatic situation, with connotations of evolution and survival.

Gone Fission # 3015


[multimedia / cut paper assemblage] Daniel Stuelpnagel 2013

This was a scan of miscellaneous materials that will lead to more such pieces, since the pigment soaked paper towel yields a realistic fish-scale texture.

The map fragment and stencil with dried ink make it seem kind of raw and strange, though it’s still very subtle and kind of simple, the overall appearance manages to convey the slightly disturbing tone that haunts many of these fish, makes me think of those books by Nick Bantock.

Why disturbing? Because their habitat is disturbed by pollution, radiation, climate change, sonar testing, increasing salinity, industrial waste and pretty much everything human society can throw in there, so this whole series is kind of a visual commentary on the beauty of the undersea world and the changes happening there.

A Simple Concept


[multimedia / cut paper assemblage] Daniel Stuelpnagel 2013

Incorporating processes of painting on paper, photography, print-making and eventually a stop-motion video using numerous stacks of these pictures, I will also make some prints for exhibition.

There is something inherently intriguing about the journalistic quality of the images, after working through these various techniques for several years and closely studying the multimedia work of Matt Muirhead, I have moved into a set of processes that facilitates making a lot of iterations, which lends itself to both the still photos and the larger video project (coming soon).