There’s a collaborative quality to the schizophrenia of creativity, and the synthesis of elements, political, visual, social or whatever stripe, as powerful as the fundamental experience of attachment and loss is the experience of synthesis, bringing together disparate forces into some kind of new and innovative arrangement that satisfies and imperative.
In this case, I feel an expression of the flow of social and political commentary, local and national, an immersion in journalism and advocacy, yet within the collaborative community there is still an electrifying intensity and tension, this piece conveys some of those implications while also achieving synthesis, however fleeting, momentarily getting us immersed in the flow.
Another involved architectural painting with compositional focus way off center, some labyrinthine constructivist central elements floating above an intricate, organic underpainting
I feel there is a strong dualistic poetry there, and the intersubjective transference characteristic of our current times and emergence into spring, chaotic world news, urban dynamics, so many powerful social forces of upheaval
Perhaps being immersed in journalism also plays a role, as Arts & Culture Editor for What Weekly, I’ve been meeting a dozen or more new artists and writers each month since last October, assigning, writing and photographing new developments in Baltimore theatre, literature, architecture, visual art and other areas, so coming off of a hiatus from painting after the Aquasphere series, I have a lot to express through these new paintings.